Wednesday 18th November: It's a mid-week trip for the three regulars this week as an act we have have previously seen supporting Johnny Winter is headlining at Fibbers. We were also joined by a Fibbers debutante and potential new regular.
First up was Ryan Spendlove, a man with a blue guitar (so Roj was impressed) and a clear, very strong voice. He was previously frontman for the Blueskins - the only band I've ever come across who are/were based in Gawthorpe. His set started strongly, with tracks called as Medicine and Bye Bye. Then came something I assume was called Lies (or, possibly, Lies Lies) and which seemed to turn him into a West Yorkshire version of Billy Bragg. Lyrically amusing, but perhaps a little shouty, this track was, for me, the last highpoint of the set. Not that the rest was bad, you understand, it's just that the songs started to sound a bit samey. Internet search results indicate that Ryan is a Blues guitarist. I'm not going to argue with them but his music didn't really fit in with my (albeit somewhat limited) experience of the Blues. A reasonable start to the evening.
Next on stage was Fox'N'North - members of Vudu-Blues band Hijak Oscar. Now, Andy was with us tonight and he's not exactly enamoured of Hijak Oscar so we weren't paying as much attention as we maybe should have been. To be fair, though, they certainly fit my definition of the Blues a bit more than Ryan Spendlove did, albeit with a little bit more harmonica than is necessary. From what I heard, they didn't sound too bad and the set was certainly better than when we saw the full band at The Duchess a few months back. They finished with Dylan's Rock Me Mama, a favourite from the Hazzard County days, which gained them extra respect from me.
Finally, Ian Siegal and his band (Andy Graham on bass and Nikolaj Bjerre on drums). Ian definitely plays the Blues and plays them well. The last time we saw him, we didn't know what to expect. Having heard him, though, we knew we were in for a treat. Ian's occasionally humour-laden lyrics are performed with an incredible vocal range which belies his deep, gruff speaking voice. His guitar playing is superb, mixing bottle-neck and traditional styles. This tour is to promote new album, Broadside (Mojo magazine's Blues album of the month and, if Ian is to be believed, soon to be announced Blues album of the year) so most of the tracks are from that album. There was one, however, that I thought I recognised from the last time we saw him. Unfortunately, I didn't catch any of the titles.
Ian and his band performed a well-crafted set - building to a show-ending crescendo, leaving the reasonably sized audience clamouring for more before Ian takes to the stage to perform a solo track from his The Dust album (not one he wrote but one that, according to the author, he performs like he wrote). Finally it's the full band again with and incredible final song. Throughout the set, Ian shows a very dry wit, commenting on the size of the audience and the luxurious Travelodge that the band will be staying in before their next gig, amongst other things.
This was, as we expected, a highly entertaining and well-performed gig. I just have one criticism - if you are touring to promote and album, should you not have it on sale at the gig?
Sunday, 22 November 2009
Sunday, 1 November 2009
I Want A Bike...
Friday 30th October: The Chantel McGregor Band is, as I have said before, an act that I would go out of my way to see. So, it's a surprise to find that tonight's gig at the Roman Bath is only the second time this year that I've managed to catch one of their gigs. (I know I missed their last visit to York as it clashed with my visit to the York Beer Festival and I think the previous one clashed with another gig.)
There's little I can add to what I have already posted about Chantel's prodigious talent with a guitar but I have to say that tonight's set was, in my opinion, the least impressive that I have seen by her. That's not to take anything away from Chantel - she played as brilliantly as ever - it's just that there was a lot of the set that I wasn't familiar with and some of my favourites were missing. Yes, we got songs from the likes of Hendrix (Red House and Voodoo Chile), Jethro Tull (Living In Past), Ten Years After, Joe Satriani (Up In The Sky) and Joe Bonamassa (Mountain Time), but where was Clapton/Cream, Steve Vai and Fleetwood Mac??
Hey ho, I guess if she played the same set every time, I'd be complaining of too little variation.
I'm beginning to get the impression that Chantel is getting a loyal following at the Bath (as she seems to have at other venues) as the applause tonight was mixed with cheers and howls of appreciation. But there are still people who, until tonight, were yet to experience one of her gigs. Members of York's own Morpheus Rising were in tonight's audience and I have it on good authority that the wife of one was "blown away". It was interesting (and slightly amusing) to see the looks on the faces of some of the casual punters who wandered in, heard the music and then noticed who was playing it.
After another excellent set, we headed outside for our usual round of banter and despite Andy telling us at least three times that he had to head off, he was just getting round to unlocking his Brompton as Chantel, her band and parents left the pub. For some reason, she thought it would be a good idea to have a go on the bike. So, much the our amusement (and that of band members Martin and Alex) and the apparent consternation of her parents, Andy dutifully lowered the seat (twice!) and off she wobbled around St Sampson's Square. "Can you play guitar while doing that?" shouted Martin from his car. We have a suspicion that she may well be able to, with just a little more practice.
There's little I can add to what I have already posted about Chantel's prodigious talent with a guitar but I have to say that tonight's set was, in my opinion, the least impressive that I have seen by her. That's not to take anything away from Chantel - she played as brilliantly as ever - it's just that there was a lot of the set that I wasn't familiar with and some of my favourites were missing. Yes, we got songs from the likes of Hendrix (Red House and Voodoo Chile), Jethro Tull (Living In Past), Ten Years After, Joe Satriani (Up In The Sky) and Joe Bonamassa (Mountain Time), but where was Clapton/Cream, Steve Vai and Fleetwood Mac??
Hey ho, I guess if she played the same set every time, I'd be complaining of too little variation.
I'm beginning to get the impression that Chantel is getting a loyal following at the Bath (as she seems to have at other venues) as the applause tonight was mixed with cheers and howls of appreciation. But there are still people who, until tonight, were yet to experience one of her gigs. Members of York's own Morpheus Rising were in tonight's audience and I have it on good authority that the wife of one was "blown away". It was interesting (and slightly amusing) to see the looks on the faces of some of the casual punters who wandered in, heard the music and then noticed who was playing it.
After another excellent set, we headed outside for our usual round of banter and despite Andy telling us at least three times that he had to head off, he was just getting round to unlocking his Brompton as Chantel, her band and parents left the pub. For some reason, she thought it would be a good idea to have a go on the bike. So, much the our amusement (and that of band members Martin and Alex) and the apparent consternation of her parents, Andy dutifully lowered the seat (twice!) and off she wobbled around St Sampson's Square. "Can you play guitar while doing that?" shouted Martin from his car. We have a suspicion that she may well be able to, with just a little more practice.
Bands In The Basement
Tuesday 27th October: Tonight it's a first trip to the Basement Bar for me, to see my current favourite "local" live band. As it's name suggests, the bar is in the basement of York's City Screen cinema. It's a strange set-up, with the stage area being almost as big as the audience area. The are a few tables, lit with candles (very intimate), including one which is almost on the stage itself, an impression only heightened by the fact that you have to go around or over the barrier separating stage from audience to get to it. Roj and I, both getting somewhat used to going out during the week, positioned ourselves at a corner table and settled down for the evening's entertainment, with me for one hoping that the hour's delay in opening the doors didn't mean that I had to rush off to catch the last bus home.
First up were two fifths of Sheffield band Dave Woodcock and the Dead Comedians, namely Dave himself on guitar and vocals and Chris Saunders on guitar. They are playing a series of gigs to promote Omaha High Low, their album due to be released in November. Dave sings with an almost growl, painting pictures with his lyrics and producing songs which could be the North England equivalent of Springsteen's quieter, more parochial output. Highlight for me was City Lights (which is lucky as it is also the only song title I can remember...) Chris's backing guitar almost gave the impression that he was ad-libbing as, at times, the two sounds didn't quite seem to match up, but they always worked. An enjoyable, if not standout, set and it would be interesting to hear the full band line-up.
Next on the bill was Boss Caine or, more accurately, GT Turbo, from York. (Confused? The explanation is on the linked MySpace page.) Categorised as Americana, Country and Blues, this is a singer/guitarist with a rich, deep, mellow voice and songs about hard drinking and drugs. Again, like the first act, his songs evoke images of Northern life - Smoking In My Backyard was a standout for me. Other songs tonight included Lady Macbeth, Sweet Sorry Surrender and a cover of Has Anybody Here Seen Hank (originally by The Waterboys). This is the first time I've caught this act but, hopefully, it won't be the last.
Finally, the band we had turned up to see - a cold-ridden, Leeds-based Hope & Social. I have waxed lyrical about H&S's album, Architects Of This Church, before and still urge anybody who hasn't bought it to do so. Tonight's set was comprised mostly of songs from that album, although there was one that I didn't recognise. Although they didn't perform the full album, the songs were proper live (by which I mean extended) versions, including one which was preceded by the strains of Prefab Sprout's When Love Breaks Down. There wasn't a duff song in the set but the instrumental ending to Sunlight Hold Me was incredible. Along with the welcome return of comedy interludes (I'm never sure whether these are rehearsed or ad-libbed), audience participation is encouraged at H&S gigs and tonight we sang along with gusto to the chorus of Red Red Rose and (without encouragement) joined in impeccably with the "whoa whoa" section of Looking For Answers (performed acoustically by Simon on guitar and vocals and Rich on backing vocals, as the performance had gone on longer than they were allowed to use the PA system.) For a band whose various members were either dosing themselves with Strepsils or in imminent danger of having to rush off stage (you really don't want to know...), this was another superb performance, retrospectively tinged with a little sadness when I found out that it was bass-player Jason's penultimate gig with the band.
For anybody interested, I didn't miss the last bus, but I did have to run further than I currently find comfortable in order to catch it!
First up were two fifths of Sheffield band Dave Woodcock and the Dead Comedians, namely Dave himself on guitar and vocals and Chris Saunders on guitar. They are playing a series of gigs to promote Omaha High Low, their album due to be released in November. Dave sings with an almost growl, painting pictures with his lyrics and producing songs which could be the North England equivalent of Springsteen's quieter, more parochial output. Highlight for me was City Lights (which is lucky as it is also the only song title I can remember...) Chris's backing guitar almost gave the impression that he was ad-libbing as, at times, the two sounds didn't quite seem to match up, but they always worked. An enjoyable, if not standout, set and it would be interesting to hear the full band line-up.
Next on the bill was Boss Caine or, more accurately, GT Turbo, from York. (Confused? The explanation is on the linked MySpace page.) Categorised as Americana, Country and Blues, this is a singer/guitarist with a rich, deep, mellow voice and songs about hard drinking and drugs. Again, like the first act, his songs evoke images of Northern life - Smoking In My Backyard was a standout for me. Other songs tonight included Lady Macbeth, Sweet Sorry Surrender and a cover of Has Anybody Here Seen Hank (originally by The Waterboys). This is the first time I've caught this act but, hopefully, it won't be the last.
Finally, the band we had turned up to see - a cold-ridden, Leeds-based Hope & Social. I have waxed lyrical about H&S's album, Architects Of This Church, before and still urge anybody who hasn't bought it to do so. Tonight's set was comprised mostly of songs from that album, although there was one that I didn't recognise. Although they didn't perform the full album, the songs were proper live (by which I mean extended) versions, including one which was preceded by the strains of Prefab Sprout's When Love Breaks Down. There wasn't a duff song in the set but the instrumental ending to Sunlight Hold Me was incredible. Along with the welcome return of comedy interludes (I'm never sure whether these are rehearsed or ad-libbed), audience participation is encouraged at H&S gigs and tonight we sang along with gusto to the chorus of Red Red Rose and (without encouragement) joined in impeccably with the "whoa whoa" section of Looking For Answers (performed acoustically by Simon on guitar and vocals and Rich on backing vocals, as the performance had gone on longer than they were allowed to use the PA system.) For a band whose various members were either dosing themselves with Strepsils or in imminent danger of having to rush off stage (you really don't want to know...), this was another superb performance, retrospectively tinged with a little sadness when I found out that it was bass-player Jason's penultimate gig with the band.
For anybody interested, I didn't miss the last bus, but I did have to run further than I currently find comfortable in order to catch it!
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